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A Vote for van Vogt in ’46

The next in our series of posts in support of the 1946 Project at Chicon 8.

As part of the 1946 Project, we’ll focus on the work of Alfred Elton “A.E.” van Vogt and his fellow author (also spouse) Edna Mayne Hull. Why so?

van Vogt is recognized as a Grand Master, having received the fourteenth instance of the Damon Knight Memorial award in 1996. He’s also regarded as something of an odd-duck, his work drawing a wide range of reactions.

Phillip K. Dick and Harlan Ellison credited van Vogt’s The World of Null-A as an early inspiration. In contrast, Damon Knight tore all aspects of that same novel to shreds, writing, “[van Vogt] is no giant; he is a pygmy who has learned to operate an overgrown typewriter.” (From the fanzine Destiny’s Child, November 1945).

In van Vogt’s 1975 autobiography (assembled from interviews he gave in the 1960s), he wrote: But then again, Knight later wrote: “Other writers may be able to work on intuition, but I can’t. In other words, here I am living on things. One is that there are methods for doing things and the other is that I dream my story ideas in my sleep.”

Responding to this revelation, Knight reconsidered his perspective on the author, writing: “van Vogt has just revealed, for the first time as far as I know, that he made a practice of dreaming about his stories and waking himself up every ninety minutes to take notes. This explains a good deal about his stories, and suggests that it is really useless to attack them by conventional standards. If the stories have a dream consistency which affects readers powerfully, it is probably irrelevant that they lack ordinary consistency.” (Science-Fiction Studies, v1n3, Spring 1974)

We submit that 1946 was a capstone year for the authors, where their prominence and influence on the genre and fandom may have been at its peak. What supports this assertion?

Astounding Science-Fiction, v23n5, July 1939. Art by Graves Gladney
Slan by A.E. van Vogt, Arkham House, 1946. Jacker design by Robert F. Hubbell
The Weapon Makers by A.E. van Vogt, The Hadley Publishing Co., 1947
Top author poll results from Joe Kennedy’s 1946-1947 Fantasy Review
Astounding Science-Fiction, v32n4, December 1943. Art by William Timmins
Unknown Worlds, v6n5, February 194
Astounding Science-Fiction, v35v6, August 1945
Shangri-L’Affaires, n21, December 1944
Forrest J Ackerman in Shangri-L’Affaires, n28, February 1946
A.E. van Vogt presenting as Guest of Honor at the 1946 Pacficon. Photo by Milton A. Rothman. From the collection of John L. Coker III

What works of van Vogt or Hull stand out for you? Which have best stood the test of time? How have these writings influenced the genre? Please drop us a note with your thoughts:

info@firstfandomexperience.org

(The title of this post is informed by the best analysis we’ve seen of the proper pronunciation of “van Vogt.”)

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